By Indira Viswanathan Peterson
"Explores the earliest literary therapy of Arjuna's conflict with the nice god Siva, delivering an advent to the Sanskrit courtroom epic."
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Additional resources for Design and Rhetoric in a Sanskrit Court: The Kiratarjuniya of Bharavi
With renewed determination, Arjuna practises ﬁercer asceticism. Threatened by the terrible power of his tapas, the sages ´ ´ of Indrak¯ila approach Siva in supplication (17-31). Siva reassures them and tells them that Arjuna is destined to kill the demon Muka, ¯ who will attack him in the form of a boar. as). Canto XIII. Arjuna sees a wild boar rushing at him. Both he and ´ Siva simultaneously shoot arrows at the beast, killing it. As Arjuna tries to retrieve his arrow, a hunter appears and claims that the ´ arrow belongs to his master, the kirata ¯ chief (Siva).
In (7th–8th centuries) was himself a kavya ¯ poet attached to the Pallava court at Kanchipuram in the Tamil region of South India. His comments suggest that Bharavi ¯ ﬂourished in the mid- to late sixth century, and that his patron was a prince Vishnuvardhana, most likely to be identiﬁed with the younger brother of the Chalukya Pulakesin II and founder of the Eastern Chalukya dynasty at Vengi in the eastern Deccan. in says that Da¯ modara, a native of Maharashtra, migrated to the South Deccan, ´ where he met Bharavi, ¯ “the great Saiva, a powerful personality, … and the source of (poetic) speech …,” in the entourage of a prince Vishnuvardhana: “maha´ ¯ saivam ¯ avam ¯ ¯ .
In says that Da¯ modara, a native of Maharashtra, migrated to the South Deccan, ´ where he met Bharavi, ¯ “the great Saiva, a powerful personality, … and the source of (poetic) speech …,” in the entourage of a prince Vishnuvardhana: “maha´ ¯ saivam ¯ avam ¯ ¯ . prabha. mahaprabh . gavam 12 ¯ vam prad iptabh asam ¯ bh aravim ¯ …”. Dan d in also names two kings .. . 24 Design and Rhetoric in a Sanskrit Court Epic besides Vishnuvardhana who knew Bharavi’s ¯ work: the Pallava Simhavishnu (ca. ) and the Ganga king Durvin¯ita.